The series of work, "ABSENCE", finds its roots, in clues culled from the series of, One After the Other, which uses ordinary safety pins as its primary medium.

I use the wall as my canvas because its presence provides the absolute integration of foreground and background. The pieces, which predominantly use holes, are deepened and darkened by a graphite pencil, allowing the viewer to experience the absence of a concrete material and consider the inside and outside of this existing space as well as the surface. It straddles the border between sculpture and drawing.

"ABSENCE" Maybe it’s just a mark, a fingerprint, or a thread, but many times you can trace back to an original source using small clues.