Current Work

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Broken Worlds - June Ahrens' work addresses issues of loss, pain, fragility, danger and survival. Her work is obsessive in spirit, and uses reclaimed or re-purposed everyday objects.

In her latest series she uses broken acrylic mirrors, broken jars and bottles. Many of the jars have been collected from friends and family and create another layer of interaction between the participants and the artist.

Special lighting also plays a specific role in the work. The installations and individual pieces allow the viewer to become part of the sculpture as light throws reflections back and the person can see both viewers and their surroundings. The pieces create formal and conceptual tensions between absence and presence, certainty and doubt.

The jar/bottle pieces were broken and re-created to make new shapes and forms. Their gestures take on an anthropomorphic quality with an added sense of reality. The shadows cast by these forms add another dimension to the installations and provide a way to integrate form and concept, going beyond language, exposing conditions, which are not always obvious but are always present.

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HIDING IN PLAIN SITE

Hiding in Plain Site
HIDING IN PLAIN SITE 2008-ongoing
14 1/2' diameter
Broken mirror, rotating light, felt

Hiding in Plain Site
HIDING IN PLAIN SITE
Detail


Hiding in Plain Site
- 9/11 changed my life as I knew it and impacted that of millions of others. In response to that event, Hiding in Plain Site elicits feelings of danger, anger, loss, and vulnerability. Still and film images of 9/11, as presented through mass media, left us with lasting imprints of that day.

A site-specific installation, Hiding In Plain Site is a private performance that is physically and creatively challenging, and changes with each new installation, incorporating broken mirrors and rotating light. The surface of this installation produces fragmented images as if to contain and absorb them. The rotating light may be viewed as ambiguous, bringing attention to ourselves or others at the moment we see the reflections or, perhaps, acting as a trigger to generate past experiences.

This installation also invites one to consider the open-endedness of the work as a possible need for social ritual and political discourse. Today, the "reflections" continue to embrace us individually as well as those in the world around us.

Photos: Bruce Matthews

     
 

Click here to read Kansas City Star article
about June Ahrens - Oct. 8, 2011

 
     
     
     
 


Listen to Kemper Museum's Chief Curator Barbara O'Brien interview June Ahrens

 
     
     
     
 

Listen to NPR (KCUR) interview with
June Ahrens from Sept. 22, 2011

 
     

If this video is not visible, please click here to view


STILL STANDING*

Still Standing
STILL STANDING
reclaimed jars, glass, aluminum
2'W x 6'L x 30"H


Still Standing
STILL STANDING
Detail
Still Standing
STILL STANDING
Detail
Photos: Bruce Matthews
Collection of Kemper Museum of Contemporary Art, Kansas City, MO

SPILLED MILK

Still Standing
SPILLED MILK
reclaimed jars, paint, glass, steel
5'2"W x 330"L

Still Standing
SPILLED MILK
Detail

Still Standing
SPILLED MILK

Detail

Photos: Donna Callighan

LEFT OVER

Still Standing
LEFT OVER 2011
re-claimed crockery and porcelain, roof shingles, plastic,
steel wire and nails, re-purposed glass and mirror
6' x 13' x 6"

Left Over
LEFT OVER
Detail

Still Standing
LEFT OVER
Detail
Left Over
LEFT OVER
Detail
Photos: Donna Callighan

the TEA party

the TEA party
the TEA party
64" x 24" x 29"
Ceramic, glass and steel
Tea cups and tea pot sizes vary
the TEA party
the TEA party
Detail
the TEA party
the TEA party
Detail
the TEA party
the TEA party
Detail
the TEA party
the TEA party
Detail
the TEA party
the TEA party
Detail


PASSAGE

PASSAGE is an installation that continues the series of BROKEN WORLDS. It is made of broken re-cycled beverage, vitamin bottles, stones, industrial glue and steel wire.

The bottles are broken and repurposed to form a long sloping shape. The lighting is installed to play up the green shadows that appear from the broken glass, and a fan that gently moves some of the strands of glass.

Passage
PASSAGE
Passage
PASSAGE
Detail

PIECE BY PEACE


PIECE BY PEACE
PIECE BY PEACE
2010
glass, aluminum
5' L x 2' L x 30" H


PIECE BY PEACE
PIECE BY PEACE
Detail


HIGHS AND LOWS


HIGHS AND LOWS
HIGHS AND LOWS
2010
reclaimed glass, acylic mirror, roof shingles, wood
85" L x 24" W x 30" H


HIGHS AND LOWS
HIGHS AND LOWS
Detail


DEAD ON


DEAD ON
DEAD ON
2011
glass, acrylic mirror, flashlight, text,
water, blue light, aluminum, plastic
3'2" W x 3"11" H x 12" D


DEAD ON
DEAD ON
Detail

DEAD ON
DEAD ON
Detail

SEARCH

SEARCH
SEARCH
2011
ceramic, found glass, roof shingle, wood, figures
2" H x 21" W x 4" D

SEARCHSEARCH
Detail

SEARCH
SEARCH
Detail

SEARCHSEARCH
Detail


In Depth


In Depth
In Depth 2009
Site Dependent Installation
30 Feet x 17 Feet 3 Inches
Acrylic Mirror, Light




In Depth
In Depth 2009
Site Dependent Installation
30 Feet x 17 Feet 3 Inches
Acrylic Mirror, Light


In Depth
- You can describe a wave as no beginning and no end, birth and death...Looking deeply, we can see that the waves are at the same time water...seeking there own true nature...the nature of nondiscrimination, of no birth, of no death, of no being and of no non-being.”
- Thich Nhat Hanh

Review: “...and installations such as June Ahrens’s “In Depth,’’ in which a rotating light over a floor covered in mirror shards casts a spectacle of reflections on the wall...” - Cate McQuaid, Boston Globe Correspondent / September 11, 2009

In Depth
In Depth (detail)

 

BORDER


BORDER
BORDER
broken acrylic mirror, crushed glass, iron spikes
2'3"W x 6'9" L x 4" H


BORDER
BORDER
Detail


Our Shrinking World

Our Shrinking World - Normally my work is created for an interior space; however when the opportunity at Chesterwood Sculpture Park presented itself I decided to take up the challenge and create my first outdoor piece,”Our Shrinking World” .  My sculpture reflects the contrast between “The American Dream”, and today’s economic crises.  Although small in scale, its message is monumental in scope.   The surface of the broken acrylic mirror will reflect the beauty of the park, but also challenge the viewer’s state of security and high light the vulnerability that all of us may feel.


Our Shrinking World
OUR SHRINKING WORLD 2009
39" x 28" x 34"
acrylic mirror, aluminum


Our Shrinking World
OUR SHRINKING WORLD 2009
39" x 28" x 34"
acrylic mirror, aluminum

Review: “...June Ahrens built a small house out of mirror shards and set it in the forest. The piece, “Our Shrinking World,’’ is almost invisible from a distance, camouflaged by reflection, and even up close it shimmers with leaves. But despite its beauty, its construction speaks of illusion, sharp edges, and danger.”   Cate McQuaid , Boston Globe

This work traveled from the Chesterwood Sculpture Park to the Bershire Museum, Pittsfleld, MA for two years.


Our Shrinking World
OUR SHRINKING WORLD 2009
39" x 28" x 34"
acrylic mirror, aluminum

Our Shrinking World
OUR SHRINKING WORLD 2009
39" x 28" x 34"
acrylic mirror, aluminum


Mourn


Mourn
Mourn
6' 9" x 25 1/2" x 16 1/2"
acrylic mirror


Mourn
Mourn - Detail
6' 9" x 25 1/2" x 16 1/2"
acrylic mirror


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